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The Best of James Taylor | 
| Artist: James Taylor
Label: Rhino
Category: Music
List Price: $18.98
Buy New: $6.55
as of 2/8/2012 18:46 CST details
You Save: $12.43 (65%)
New (53) Used (33) Collectible (1) from $4.85
Sales Rank: 798
Media: Audio CD
Autographed: No
Discs: 1
Shipping Weight (lbs): 0.3
Dimensions (in): 5.6 x 5 x 0.5
MPN: 4 3 00073837
UPC: 081227383725
EAN: 0081227383725
ASIN: B00007IT8S
Release Date: April 8, 2003
Availability: Usually ships in 1-2 business days
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| Features:
| • | James Taylor - The Best Of Brazil Import |
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| Tracks:
| • | Something In The Way She Moves | | • | Sweet Baby James | | • | Fire And Rain | | • | Country Road | | • | You've Got A Friend | | • | You Can Close Your Eyes | | • | Long Ago And Far Away | | • | Don't Let Me Be Lonely Tonight | | • | Walking Man | | • | How Sweet It Is (To Be Loved By You) | | • | Mexico | | • | Shower The People | | • | Golden Moments | | • | Steamroller (Live) | | • | Carolina In My Mind | | • | Handy Man | | • | Your Smiling Face | | • | Up On The Roof | | • | Only A Dream In Rio | | • | Bitter Sweet (Previously Unreleased) |
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| Editorial Reviews:
Album Description
20 of his greatest singles and most popular album tracks released on Apple, Warner Bros. and Columbia/Sony. Slipcase. 2003.
Amazon.com
Any good singer can interpret a song, but it takes a stylist to make it his own. James Taylor is a stylist. This 20-track anthology obviously can't chronicle much more than the hits and high points of Taylor's career, but it nonetheless captures the artistic essence of a performer who's become a virtual synonym for "singer-songwriter" since his emergence in the late '60s. A lot of ink has been spilled ruminating about Taylor's role in soothing a '60s-burned generation, but given his own well-known demons (depression, addiction) his gentle voice often sounds like the physician wisely healing himself. His muse seems fully formed from the opening "Something in the Way She Moves," a track cut for the Beatles' Apple label in late ‘68 (and one that seems to share some symbiotic relationship with George Harrison's own classic "Something" from the period), its tone at once familiar and inviting--if ripe for a few decades of parody--as it wends its way from his seminal early '70s hits through a slate of later originals, R&B ("How Sweet It Is," "Handy Man") and pop ("Up On the Roof") covers. Tellingly, he delivers those chestnuts with an offhand confidence and illumination that makes them his own, a sense that informs even his jazz and Brazilian ("Only a Dream a Rio") flirtations. The set's newly recorded bonus cut, John Sheldon's "Bittersweet," is a pleasant pop confection that showcases Taylor's knack for being laconic and upbeat in the same breath. --Jerry McCulley
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